First Engine in Nigeria
West Africa : A handbook of practical information for the official, planter, miner, financier & trader
by Newland, H. Osman
Published 1922
" Bloodhound " off Lagos November 26, 1851
Sir,
I HAVE the honour to communicate for your information, that I embarked on board Her Majesty's steamer " Bloodhound," on the 10th instant, accompanied by King Akitoye and his suite, and arrived off Lagos on the 13th.
Communicated with Commander Wilmot of Her Majesty's steamer " Harlequin," who informed me that he had discovered a safe boat-channel into the River Ogu; and he had visited Kosoko, the present Chief of Lagos and was kindly received.
That it was his impression that he would accede to my terms if proposed. It appeared to me a favourable opportunity to enter inta a negotiation with the said Chief at once.
...
19th. Daylight, strange symptoms of a tornado showed themselves. 9:30, it came down in torrents of rain, and continued so long, that our visit to Kosoko was deferred until next day,
20th. Daylight, fine day; we left Her Majesty's sloop "Harlequin" at 6:30, with ten boats under a flag of truce. Landed at a sandy point at the eastern entrance of the river, to wait for the water rising, to enable the heavy boats to enter.
There are on this point a group of small huts, and two stores belonging to Senhores Marcos and Nobre, Brazilians.
A messenger arrived from Kosoko and stated that if we proceeded to the town with so many boats, we would be fired upon ; it was his wish that one boat only should go.
I remonstrated with Senhor Marcos, on the entire absurdity of Kosoko preventing a proper escort to accompany Her Majesty's Representatives on a mission of peace and amity; that it was a national form of all the nations in the world.
Senhor Marcos said that he had remonstrated with Kosoko to no avail, he would not listen to any other sentiment but what he first stated.
I was on the point of returning, but after mature deliberation, I told the messenger, through my interpreter, that one boat was not sufficient to take the officers intended for the conference ; I would come with two boats, well knowing at the same time that we should be placed in imminent danger in the hands of such a blood-thirsty chief as Kosoko.
We had to wait an hour; the messenger returned with his permission. There were on this point of sand 100 armed men, sent no doubt to watch our movements. Senhores Marcos and Nobre, I must state, were very attentive. 10 o'clock, we started in the " Harlequin" and "Waterwitch's" gigs.
Senhor Marcos accompanied me, and Commander Wilmot, Commander Gardner, and Lieutenant Patey, and my interpreter, in the second gig. We arrived at the town in onehour and twenty minutes.
We were ushered into Senhor Marcos' house; there kept in suspense for two hours before we were ushered into the presence of the Chief, Kosoko. He was surrounded with armed men, with a host of retainers on each side of the court-yard.
I opened the conference by saluting him, stating that I was much pleased having an opportunity given me, as the Queen of England's Representative, of communicating to him the purport of my mission.
Firstly. — Was the Chief desirous to become the friend and ally of England by signing a treaty for the suppression of foreign Slave Trade within the limits of his territories.
He said he was not his own master, but under the King of Benin. His Prime Minister, Tappa, spoke and said that he would not sign any paper with England, he, Kosoko, was not desirous to have her friendship.
I again asked the Chief, supposing his master, the King of Benin, signed the Treaty, if he was not prepared to do the same; he distinctly stated that he would not enter into any treaty with the English, and did not desire their friendship. I said, " you have acknowledged the King of Benin to be your chief."
He said, he had not to the present date received any power or authority from him to rule as King of Lagos ; he repeated it, the King might sign a treaty, but he, Kosoko, would not, nor had he any desire to do so.
It is quite certain that the King of Benin will not give him that power so long as be knows Akitoye is alive, for he holds the emblems of power sent him by the late and present King of Benin, who was crowned at that city when I was in that river last March.
Of the further details of this conference, I send herewith a copy.
* photo of Broad Street Gaol, Lagos from National Archives UK
Consul Beecroft to Viscount Palmerston - ( received January 7, 1852)
Parliamentary papers, Volume 54
House of Commons
Great Britain Parliament
The month of February is very important to the Edos, remembrance of the British Invasion of Benin empire. February 18th is a key date.
Olokun
Copied from an original lent to us [from] West Africa.
Date 1950 (?)
© The Trustees of the British Museum
Birom
Date 1946
© The Trustees of the British Museum
Sarkin Zawan - Birom
Date 1946
© The Trustees of the British Museum
The Ditch — Its excavation ascribed to Oguola
The big ditch mentioned by D.R. is thus spoken of by Roupell officials : " The big ditch was dug by Oguola. He and his people came from God. When God had born them, Oguola called his boys and saw they were very plenty, and he had no work for them to do. Then he told them to dig the ditch round the town.
He did not dig it for war, but so that men might see it when he was dead, and say : see the ditch Oguola dug — we do not know why it is stronger and deeper on the northern side of the town, so he dug it and so it is."
The wall and ditch are not mentioned in the Portuguese chronicles in so far as I can ascertain, but of Gwato Pereira (Esmiraldo, p. 72) says it has " no walls but a deep fosse all round" ; as Gwato, the trading port of Benin, was entrenched, it is not likely that the larger city would be in an undefended state and hence the officials implied statement, that the walls and ditch were built before the advent of Europeans, is no doubt correct.
Landolphe, as we have seen, says it was 20 feet deep.
Great Benin; its customs, art and horrors
by Roth, Henry Ling - 1903
Oguola
After the downfall of the Ogiso kings, the dynasty engendered by the Yoruba prince Oranmiyan began with the accession of Eweka I to the Benin throne.
While various dates have been proposed for the founding of the dynasty, based on oral traditions and the lengths of the kings' reigns, it is most likely to have occurred around 1300 (Bradbury 1973:17-43).
With the enthronement of Eweka I, the Edo were ruled by a king of foreign ancestry, a fact that has both enhanced the mystique of subsequent Obas and brought them into conflict with the autochthonous chiefs.
The first few Obas were apparently constrained by these forces until, in the middle to late fourteenth century, the fourth Oba, Ewedo, asserted his pre-eminence over the Uzam'a and reorganized the administration of the kingdom so as to maximize the power of the king. Ewedo constructed a new palace and organized the Palace Chiefs to serve him.
He decreed that certain insignia of power, such as the ada ceremonial sword, should be limited to the Oba - that all chiefs, including the powerful Uzama, be obligated to stand in the presence of the Oba; and that only the Oba has the right to confer titles, thus reserving for himself the most powerful tool for manipulating the political system of the kingdom.
The administrative and symbolic features introduced by Ewedo laid the groundwork for the subsequent centralization of power and expansion of the kingdom.
It was during the reign of Ewedo's successor, Oguola (r. late fourteenth century), that brasscasting is said to have been introduced into Benin.
According to an often-cited oral tradition, "Oba Oguola wished to introduce brass casting into Benin so as to produce works of art similar to those sent him from Ife. He therefore sent to the Oni of Ife for a brass-smith and Iguegha[e] was sent to him. . . . The practice of making brass-castings for the preservation of the records of events was originated during the reign of Oguola" (Egharevba 1960:12).
Thus, like the ruling dynasty itself, some believe brasscasting came to Benin from Ife, the Yoruba city where naturalistic brass heads were made at least as early as the fourteenth century (Willett and Fleming 1976:142—43).
This tradition has been used as the basis for the most widely accepted chronology of Benin art (see cat. nos. 1—6). However, it has been pointed out that other oral traditions indicate that casting may have been practiced earlier in Benin, and that the Oguola/Igueghae tradition may only refer to the casting of certain types of objects or to the origin of a particular lineage of brasscasters (Ben-Amos 1980:17-18).
Royal Art of Benin: The Perls Collection
by Ezra, Kate
Published 1992
Fulani
Date 1950
© The Trustees of the British Museum
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